Miracle Sounds [Onomatopoeia] in al-Qur'an.

Asalaam alaikum warahmatulah wabarakatuh

The use of delicate sounds.. exhibits the Qur'an's ability to express meaning and images via the sound of its text:



The Still Night..

وَاللَّيْلِ إِذَا سَجَىٰ

wallayli izaa sajaa..

"And by the Night when it is still.." [Qur'an 93: 2]

The way the Qur'an uses the word 'when it is still' produces a tranquil tone and a smooth sound. This indicates the peace, stillness and serenity that night time provides.




The Striking of Rocks to Produce Sparks:


The Qur'an also uses sound to build intense images, for example,

فَالْمُورِيَاتِ قَدْحًا

Faalmooriyaati Qad-han

"And the producers of sparks striking" [Qur'an 100: 2] (really referring to war horses galloping and their hooves striking rocks to produce sparks [refer to the tafseers on this verse])

The word for sparks striking, 'Qad-han', that is used here emits a sound that develops the sense of this image, the proximity of the Arabic letters Qa - striking the 'daal' and rebounding the 'ha' is responsible for this sound.




Splattering and Scattering..

In another example,:

وَأَنزَلْنَا مِنَ الْمُعْصِرَاتِ مَاءً ثَجَّاجًا

Waanzalna mina almu'siraati maa'an thajjaja

And sent down, from the rain clouds, pouring water.[Naba' 78:14]

The use of the word 'thajjaja' in this verse, with its series of vowels emits a sound of splattering and scattering, which expresses the image of the drama.




For example in the verse below the Qur'an uses words that imitate the sound they denote. This rhetorical device called Onomatopoeia is widely used throughout the Qur'anic discourse.



Saaaakhah.. the loud deafening noise.

فَإِذَا جَاءَتِ الصَّاخَّةُ

Fa-itha jaa'ati-ssaaakhah

But when there comes the Deafening Blast. [Abasa 80:33]

The word for 'deafening noise', 'alssaakhah,' chosen here produces a sound eluding to its meaning.

The Arabic letters 'kha' connected with a 'ta' [marboota = a 'ha' sound] emanate harsh sounds which conform to the meaning of the text.





The Waswasa Whispering..

فَوَسْوَسَ إِلَيْهِ الشَّيْطَانُ

Fa Wasswassa ilayhi-shaytaan.. [Ta-Ha 20:120]

So Satan whispered to him [Adam]...

The word Wasswassa = Repeated Whispering which is targetted at someone, paused, and then comes back again.


The word is repeated twice [Wass-Wassa] because satan's whispering is targetted at a person - to make them doubt/fear/get confused etc. then he will go away and come back again to whisper again another time...

[Also See Surah al-Naas 114.]

The utilisation of sounds in the Qur'an also play a rhetorical role.

Sounds in the Qur'an are employed to increase the effect of its message. The Arabic language has many words for a single meaning, but yet the Qur'an selects and arranges the words to portray the intended meaning in addition to create sounds to conform to the image, scene and message the book conveys. This is not only done by selecting the right words but also arranging them in a specific way to develop sounds and rhythms. Just by touching upon a few simple examples it can be seen why Pickthall was lead to believe that the Qur'an had an "inimitable symphony".



A famous Orientalist Arberry comments on his personal experience with the rhythm of the Qur'an:

"Whenever I hear the Quran chanted, it is as though I am listening to Music, underneath the flowing melody there is sounding… insistent beat of a drum, it is like the beating of my heart."

Arthur J. Arberry. 1964.The Koran Interpreted. Oxford University Press

Refer to this link for more Comments of non-muslim Orientalists on the Qur'an's miraculousness;
Divine - Linguistic Miracle..: Al Quran - the Linguistic Miracle - Hamza Tzortis. And what the Orientalists said about it.



Refer to the following Aayaat/verses for more Onomatopoeias' in the Qur'an.

[al Waqi'ah 56:4], [Nazi'at 79:6-7], [Ta-Ha 20:120], [Zalzala 99:1].





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Rhyming Scheme in Surah Maryam

In Surah Maryam the rhyming pattern is very distinct and consistent throughout the beginning of the Surah all the way up until the point that it begins to address Isa (alayhis Salam).

Listen to [or read] Surah Maryam [surah/chapter 19], starting from verse [19:]2, all the way to verse 33. This is a narrative of the story of Prophet Zakariyyah, and Maryam/Mary (peace be upon them.) Then it begins briefly on the birth of Prophet 'Eesa/Jesus.

So at the end of every aayah/verse, there is an "iyya" sound at the end. I.e. زَكَرِيَّا [Zakariyyah] (in the 2nd verse), with شَقِيًّا [Shakkiyya] (on the 32nd verse), حَيًّاHayya [meaning 'Life'] (on the 33rd verse). With the 33rd verse referring to Jesus talking whilst being a baby.




Suddenly, a Drastic change takes place - the Rhyming Scheme changes totally:

ذَٰلِكَ عِيسَى ابْنُ مَرْيَمَ ۚ قَوْلَ الْحَقِّ الَّذِي فِيهِ يَمْتَرُونَ

That is Jesus, the son of Mary - the word of truth about which they are in dispute. [Maryam 19:34]

The last word now is 'yamtaroon'.




Why is this rhyming scheme changed?


Part of the characteristics of the Quran is that it is something meant to be recited and heard by the people. When someone is listening to this, and they notice an abrupt change they will automatically pay more attention. The rhyme scheme is not beautification only, but it serves a very real purpose in drawing attention to a very important point in the Surah.


This important point in the Surah is clearing the doubts on the character Jesus son of Mary, about whom they are in dispute. This abrupt change makes you notice a difference in rhythm and tune, it must be really big news for the tune/rhythm/theme to change totally after so long.. It gives focus, and clears the doubts of the sincere listener.



Rhythm continues...


After that part is finished, Allah starts talking about Ibrahim/Abraham (alayhis Salam) and his story [from Surah Maryam 19:34 onwards], it returns back to the original pattern (with 'Iyya' at the end of the verses again).. To continue the flow of what was being mentioned previously of the narratives of the righteous.




Quranic Incoherence? 2 Miracles Respond | MuslimMatters.org

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Mohammad Salih

The Secret Happiness

Asalaam alaikum Warahmatulah Wabarakatuh

So important is the concept of 'happiness' in our lives that many people – even dating back to the days of the Greek philosophers – considered its pursuit to be the very purpose of existence.


Indeed, the Qur'an itself speaks of happiness as being one of the rewards of those whom Allah chooses to admit to Paradise. He says of the martyrs in Aal-'Imraan, verse 170,

فَرِحِينَ بِمَا آَتَاهُمُ اللَّهُ مِنْ فَضْلِهِ
They rejoice in what Allah has bestowed upon them of His Bounty

And of the reward of the pious believers [al-Insaan, verse 11],

فَوَقَاهُمُ اللَّهُ شَرَّ ذَلِكَ الْيَوْمِ وَلَقَّاهُمْ نَضْرَةً وَسُرُورًا
So, Allah saved them from the evil of that Day and gave them a light of beauty and joy.

What becomes immediately apparent upon reading the Arabic text (but once again obscured in the translation) is that two very different words have been used to convey the idea of happiness: فَرِحِينَ fariheena, which is conjugated from the noun فَرَح farah, and سُرُور suroor, and this is prevalent throughout the Qur'an. This is because there are two very different types of happiness being referred to.


فَرَح farah generally refers to transitory delights or pleasures, as is the case in bodily or worldly pleasure. For this reason, most times that فَرَح farah appears in the Qur'an, it is being censured, as in the story of Qarun [al-Qasas, verse 76],

إِنَّ اللهَ لا يُحِبُّ الَفِرحِينَ
Indeed, Allaah does not like the fariheen

But when the source of the farah is specified in the Qur'an, as in the verse from Aal-'Imraan mentioned above, the meaning becomes restricted (muqayyad) and it is no longer censured.


But perhaps a greater distinction between the two lies in the manifestation of the happiness. Whereas the expression of farah is external and with clear outward signs, suroor refers to the expansion of one's heart with delight or pleasure wherein is quiet or tranquility, and as such it has no external sign. This is indicated by the root from which the word stems – س ر seen raa' – the same root as the word سرّ sirr, or secret. So suroor is a secret happiness, known to one's heart but not always seen by others, as Ibn 'Abbas said in reference to the above verse from al-Insaan, "The نضرة nadrah is on their faces, and the سرور suroor is in their hearts."


Such distinctions exemplify yet another example in which the translation fails and the original prevails.




http://arabicgems.wordpress.com/2008...-of-happiness/

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Mohammad Salih